Friday, September 27, 2013

Hollywood Hotel



Dick Powell is just fine, and Richard Whiting's and Johnny Mercer's 'Hooray for Hollywood" is great
It may be that Hollywood has made a musical with a more energetic, dynamic opening than Hollywood Hotel, but I haven't come across it. Right off the bat there's Benny Goodman and his orchestra, all dressed in white suits, each standing in a convertible, all being driven down a highway led by motorcycle cops to the St. Louis airport, and all playing loud and fast one of Richard Whiting's and Johnny Mercer's greatest songs. They're sending off to Hollywood the orchestra's saxophonist, Ronnie Bowers (Dick Powell), who has just won a ten-week contract in Tinsel Town. Without skipping a beat, Johnnie Davis, a mug-faced trumpet player, starts singing the lyrics, then Frances Langford picks up a chorus or two.

Hooray for Hollywood!
That screwy, ballyhooey Hollywood!
Where any office boy or young mechanic
Can be a panic with just a good-looking pan!
And any barmaid can be a star maid
If she dances with or without a fan!

Hooray for Hollywood...

Very well made farce in neat package
"Hollywood Hotel" was maybe the last of the big budget musicals from Warner Brothers in the thirties. The cycle was running out of steam, particularly when the Hays Code censorship removed the sting in the screenplays and finally when Dick Powell, fed up with playing singing ninnies, left the studio. This one is based on a radio show of the same name, hosted by Hearst gossip columnist, Louella Parsons. The film is a spoof of stardom with Lola Lane playing a temperamental star and Powell trying to get a break. As farce, the film is quite amusing, the highlight being the hilarious performance by Alan Mowbray as a ham leading man. He steals the film. Here are some points to note:

- Rosemary Lane plays the ingenue opposite Powell. Lane has charm to spare and a spirited presence but her trained soprano does not lend itself to the pop tunes. Her singing voice grates.
- the songs from Johnny Mercer are not memorable with 2 exceptions. Both "Hooray for Hollywood" and "Let that...

"That screwy ballyhooey Hollywood!"
Ronnie Bowers (Dick Powell) is a saxophone player in Benny Goodman's band, but Hollywood is calling. He has just been signed to a short term trial contract there, so off he goes to a world of luxury and extravagance. He checks in at the Hollywood Hotel where the famous Mona Marshall (Lola Lane) is staying. He is even selected to escort her to a premiere, but trouble arises when Mona's temperament prevents her from attending. At the last minute, a lookalike named Virginia (Rosemary Lane) steps in and no one is the wiser. Ronnie quickly falls for his date, unaware that she is simply a waitress with a beautiful voice. And is Mona mad when she finds out her doppleganger is running around town!

The story is silly and the music isn't overly memorable, but there is something about this film that is truly enjoyable. The sets are fabulous and so very art deco. The cast abounds with notable faces from gossip columnist Louella Parsons to vaudeville talent Ted Healy to big band icon...

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